{"id":881,"date":"2023-09-12T00:34:46","date_gmt":"2023-09-11T22:34:46","guid":{"rendered":"https:\/\/www.cestypsychotroniky.cz\/?p=881"},"modified":"2023-09-30T22:40:53","modified_gmt":"2023-09-30T20:40:53","slug":"automaticke-psani-kontakt-s-jinym-svetem","status":"publish","type":"post","link":"https:\/\/www.cestypsychotroniky.cz\/index.php\/2023\/09\/12\/automaticke-psani-kontakt-s-jinym-svetem\/","title":{"rendered":"Automatick\u00e9 psan\u00ed &#8211; kontakt s jin\u00fdm sv\u011btem?"},"content":{"rendered":"<p><strong>Proslulost tzv. \u201eautomatick\u00e9ho psan\u00ed\u201c neboli psychografie za\u010dala na spiritistick\u00fdch seanc\u00edch v druh\u00e9 polovin\u011b 19. stolet\u00ed.<\/strong><!--more--><\/p>\n<p>Anglick\u00fd l\u00e9ka\u0159 &#8211; parapsycholog <em>F. Wood<\/em> se poprv\u00e9 setkal s fenom\u00e9nem automatick\u00e9ho psan\u00ed v roce 1928. P\u0159i\u0161la k n\u011bmu \u017eenu, kter\u00e1 v pr\u016fb\u011bhu roku zaznamenala zvl\u00e1\u0161tn\u00ed zpr\u00e1vy.<\/p>\n<p><em>Dr. Wood<\/em>, zku\u0161en\u00fd \u00fa\u010dastn\u00edk a organiz\u00e1tor takov\u00fdch seanc\u00ed, v\u017edy pe\u010dliv\u011b zkontroloval fakta, znal podvody i triky \u0161arlat\u00e1n\u016f. Fenom\u00e9n ho v\u0161ak velmi zaujal.<\/p>\n<p><em>Dr. Wood<\/em> pozoroval, jak \u017eena p\u00ed\u0161e z\u00e1hadn\u00e9 zpr\u00e1vy, provedl s n\u00ed s\u00e9rii experiment\u016f a zjistil, \u017ee tento p\u0159\u00edpad je skute\u010dn\u00e9 automatick\u00e9 psan\u00ed. Krom\u011b toho \u017eena v transu pronesla v\u011btu v nezn\u00e1m\u00e9m jazyce. Teprve po konzultaci s egyptologem se Dr. Wood dozv\u011bd\u011bl, \u017ee \u0161lo pravd\u011bpodobn\u011b o starov\u011bk\u00fd egyptsk\u00fd jazyk. Wood nazval tento jev jako xenoglosie. (1)<\/p>\n<p><em>Dr. Carl Wicklund<\/em> (2), pr\u016fkopn\u00edk v\u00fdzkumu v t\u00e9to oblasti, ji\u017e v roce 1924 popsal p\u0159\u00edpad vlivu parapsychologick\u00fdch jev\u016f na \u010dlov\u011bka. Jeho man\u017eelka m\u011bla podobn\u00e9 schopnosti a b\u011bhem seanc\u00ed mluvila ciz\u00edmi jazyky, kter\u00e9 se nikdy neu\u010dila.<\/p>\n<p>Od t\u011bch dob parapsychologov\u00e9 \u010dasto pozorovali jev automatick\u00e9ho psan\u00ed. Nejde jen o nesmysln\u00e9 \u010dm\u00e1ranice, ale o smyslupln\u00e9 v\u011bty, ver\u0161e a cel\u00e9 knihy, napsan\u00e9 lidmi v transu. Ale i v b\u011b\u017en\u00e9m v\u011bdom\u00ed se jim ruka proti jejich v\u016fli pohybovala a psala na pap\u00edr.<\/p>\n<p>Ameri\u010danka <em>Jane Roberts<\/em> (3) z Elmiry ve st\u00e1t\u011b New York, sed\u011bla jeden z\u00e1\u0159ijov\u00fd ve\u010der roku 1963 ve sv\u00e9m pokoji a psala b\u00e1se\u0148. Najednou j\u00ed zachv\u00e1til zvl\u00e1\u0161tn\u00ed pocit: zd\u00e1lo se j\u00ed, \u017ee l\u00e9t\u00e1, ale je z\u00e1rove\u0148 na n\u011bkolika m\u00edstech. Najednou, zcela nev\u011bdomky za\u010dala rychle ps\u00e1t.<\/p>\n<p>V\u0161e skon\u010dilo stejn\u011b n\u00e1hle, jak to za\u010dalo. <em>Jane Roberts<\/em> se pod\u00edvala na text, kter\u00fd se objevil na pap\u00ed\u0159e. Byl to \u010dl\u00e1nek s n\u00e1zvem &#8222;Fyzick\u00fd vesm\u00edr jako ment\u00e1ln\u00ed konstrukce.&#8220;<\/p>\n<p>Jane \u0159ekla o jevu sv\u00e9mu man\u017eelovi Robimu, kter\u00fd v\u011bd\u011bl n\u011bco o spiritismu, a sv\u00e9ho \u010dasu experimentoval s tabulkou. Ta je st\u00e1le velmi popul\u00e1rn\u00ed. Prsty na p\u0159edm\u011btu, nej\u010dast\u011bji skleni\u010dce, nebo kl\u00ed\u010di atd. jsou jakoby poh\u00e1n\u011bny nezn\u00e1mou silou, a p\u0159esouvaj\u00ed jej k jednotliv\u00fdm p\u00edsmen\u016fm, vytvo\u0159\u00ed slova, kter\u00e1 jsou odpov\u011b\u010fmi na polo\u017een\u00e9 ot\u00e1zky.<\/p>\n<p>S pomoc\u00ed tabulky Rob zjistil, \u017ee Jane kontaktovala jak\u00e9hosi <em>Setha,<\/em> kter\u00fd je p\u0159ipraven j\u00ed diktovat sv\u00e9 knihy. P\u0159edmluvu ke knize zaznamenala v u\u017e prvn\u00ed seanci. Jane se dohodla na spolupr\u00e1ci se Sethem a n\u00e1sleduj\u00edc\u00edch seanc\u00edch na\u0161kr\u00e1bala texty, kter\u00e9 po p\u0159eps\u00e1n\u00ed daly v\u00edce ne\u017e 6000 strojopisn\u00fdch stran.<br \/>\n\u0160lo o dlouh\u00e9 vypr\u00e1v\u011bn\u00ed o Bohu, reinkarnaci, struktu\u0159e vesm\u00edru, prostoru a \u010dasu, lidsk\u00e9 du\u0161i. Jane psala texty, ale n\u011bkdy d\u00e1vala konkr\u00e9tn\u00ed ot\u00e1zky a Seth j\u00ed odpov\u00eddal.<\/p>\n<p>Zpo\u010d\u00e1tku si byla Jane jist\u00e1, \u017ee komunikuje s vlastn\u00edm podv\u011bdom\u00edm, a m\u011bla podez\u0159en\u00ed na to, \u017ee m\u00e1 rozpolcenou osobnost.<\/p>\n<p>Texty Setha byly mnohokr\u00e1t podrobeny komplexn\u00ed anal\u00fdze. Profesor Raymond Van Over z Kolumbijsk\u00e9 univerzity v New Yorku se domn\u00edval, \u017ee n\u011bkter\u00e9 fragmenty textu Setha mohou m\u00edt hlub\u0161\u00ed v\u00fdznam. V n\u011bkter\u00fdch \u010d\u00e1stech zpr\u00e1vy je zde podobnost s teori\u00ed archetyp\u016f Carla Junga.<\/p>\n<p>V roce 1872 jist\u00fd pan <em>Thomas P. James<\/em> z Brattleboro ve st\u00e1t\u011b Vermont za\u010dal dost\u00e1vat zpr\u00e1vy cestou automatick\u00e9ho psan\u00ed od anglick\u00e9ho spisovatele Charlese Dickense, zem\u0159el\u00e9ho v roce 1870. A\u017e do \u010dervna 1873 James zaznamen\u00e1val \u00faryvky z liter\u00e1rn\u00edch d\u011bl. (4)<\/p>\n<p>Uk\u00e1zalo se, \u017ee to byly chyb\u011bj\u00edc\u00ed kapitoly nedokon\u010den\u00e9ho rom\u00e1nu<em> Ch. Dickense<\/em> \u201eTajemstv\u00ed Edwina Drooda.&#8220; James dal rukopis odborn\u00edk\u016fm, kter\u00e9 jej analyzovali a porovn\u00e1vali se stylem Dickensov\u00fdch prac\u00ed. Filologov\u00e9 dosp\u011bli k jednomysln\u00e9mu z\u00e1v\u011bru, \u017ee styl je pln\u011b v souladu s tvorbou Ch. Dickense.<\/p>\n<p>Jeden z nejzn\u00e1m\u011bj\u0161\u00edch kontakt\u016f s jin\u00fdm sv\u011btem pomoc\u00ed automatick\u00e9ho psan\u00ed za\u010dal v roce 1916. 33 let\u00e1 Ameri\u010danka <em>Pearl Lenore Curran<\/em> (5) z Mount City ve\u010der sed\u011bla doma a psala dopis. Psan\u00ed nebylo jej\u00ed obl\u00edbenou \u010dinnost\u00ed a nad ka\u017edou fr\u00e1z\u00ed dlouho uva\u017eovala. N\u00e1hle se j\u00ed n\u011bjak zato\u010dila hlava a ruka s perem na pap\u00ed\u0159e rychle klouzala. M\u00edsto kostrbat\u00e9ho dopisu napsala prvn\u00ed kapitolu knihy jak\u00e9si d\u00e1vno zem\u0159el\u00e9 Patience Worthov\u00e9. Kontakt trval dv\u011b desetilet\u00ed.<\/p>\n<p>Za ta l\u00e9ta, <em>Curran<\/em> zaznamenala metodou automatick\u00e9ho psan\u00ed a s pomoc\u00ed spiritistick\u00e9 tabulky p\u011bt rom\u00e1n\u016f a 600 b\u00e1sn\u00ed. Za jednu z knih od &#8222;autorky z onoho sv\u011bta,&#8220; dokonce z\u00edskala presti\u017en\u00ed Pulitzerovu cenu. Curran \u0159ekla, \u017ee v\u0161echny sc\u00e9ny rom\u00e1nu vid\u011bla jako film, a potom zapisovala, co vid\u011bla.<\/p>\n<p>N\u011bkter\u00e9 str\u00e1nky <em>Curran<\/em> na\u010dm\u00e1rala rychlost\u00ed 1700 slov za hodinu. Je p\u0159\u00edzna\u010dn\u00e9, \u017ee v\u0161echny pr\u00e1ce byly ps\u00e1ny ve star\u00e9 angli\u010dtin\u011b. Psycholog Dr. Charles Corey podrobn\u011b vy\u0161et\u0159il pan\u00ed Curran a dosp\u011bl k z\u00e1v\u011bru, \u017ee nem\u016f\u017ee b\u00fdt autorem pozoruhodn\u00e9ho rom\u00e1nu &#8222;The Sorry Tale\u00bb, v kter\u00e9m se p\u00ed\u0161e o utrpen\u00ed Je\u017e\u00ed\u0161e. V jej\u00edm oby\u010dejn\u00e9m \u017eivot\u011b k tomu nem\u011bla \u017e\u00e1dn\u00e9 ambice, ani znalosti, ani schopnosti.<\/p>\n<p>\u00da\u017easn\u00e1 ud\u00e1lost se stala v dubnu 1973: t\u0159i m\u011bs\u00edce po smrti Pablo Picasso Angli\u010dan <em>Matthew Manning<\/em> (6) si v\u0161iml, \u017ee jeho tvorbu vede zesnul\u00fd um\u011blec. Manning neupadal do transu, a pracoval zcela z\u00e1m\u011brn\u011b. Maloval obrazy rychle a d\u016fkladn\u011b, bez p\u0159\u00edpravn\u00fdch skic a bez oprav, a na ka\u017ed\u00fd dal z\u0159eteln\u00fd podpis Picassa.<\/p>\n<p>Psycholog <em>Luis Antonio Gasparetto<\/em> (7) z Braz\u00edlie uk\u00e1zal v programu televizn\u00edho kan\u00e1lu BBC, jak v transu maluje barvami ob\u011bma rukama. B\u011bhem jedn\u00e9 hodiny a 15 minut, namaloval 21 obr\u00e1zk\u016f ve stylu Renoira, Van Gogha a Picassa. N\u011bkte\u0159\u00ed div\u00e1ci m\u011bli podez\u0159en\u00ed na podvod, ale m\u00fdlili se.<\/p>\n<p><em>Rosemary Brownov\u00e1<\/em> (8) z Lond\u00fdna se v polovin\u011b 60-t\u00fdch let XX. stolet\u00ed proslavila skl\u00e1d\u00e1n\u00edm hudby ve stylu skladatele Franze Liszta. V roce 1964 sed\u011bla u klav\u00edru a najednou c\u00edtila, \u017ee jej\u00ed prsty ovl\u00e1d\u00e1 n\u011bjak\u00e1 ciz\u00ed s\u00edla. Za\u010dala hr\u00e1l voln\u011b a snadno, jak se j\u00ed to nikdy neda\u0159ilo. Rosemary Brownov\u00e1 sly\u0161ela hlas skladatele, a napsala hru, p\u0159ipom\u00ednaj\u00edc\u00ed jeho pr\u00e1ci.<\/p>\n<p>Esoterick\u00fd \u010dasopis <em>Zeitgeist<\/em> na po\u010d\u00e1tku roku 1998 ozn\u00e1mil o m\u00e9diu <em>Aulikki Plaami<\/em> (9) z Finska, \u017eij\u00edc\u00ed ve Spojen\u00fdch st\u00e1tech. Ta byla v transu schopna p\u0159edv\u00e9st hudebn\u00ed d\u00edla r\u016fzn\u00fdch \u017e\u00e1nr\u016f a v n\u011bkolika jazyc\u00edch. Jej\u00ed man\u017eel shrom\u00e1\u017edil v\u00edce ne\u017e 900 p\u00edsn\u00ed, z nich\u017e 400 vzniklo d\u00edky &#8222;kontaktu&#8220;, kdy prost\u0159ednictv\u00edm Aulikki Plaami p\u0159ed\u00e1val sv\u00e1 d\u00edla Elvise Presley a Louisa Armstronga.<\/p>\n<p>Vysv\u011btlen\u00ed jevu automatick\u00e9ho psan\u00ed spo\u010d\u00edv\u00e1 z\u0159ejm\u011b v kombinaci mnoha vliv\u016f \u2013 aktivizace podv\u011bdom\u00ed, podprahov\u00e9 p\u0159edstavivosti a d\u00e1vno zapomenut\u00fdch my\u0161lenek <em>(kryptomn\u00e9zie),<\/em> vedle disociovan\u00e9ho stavu subjektu a jeho nev\u011bdom\u00e9 svalov\u00e9 aktivity. Krom\u011b toho se uk\u00e1zalo, \u017ee n\u011bkte\u0159\u00ed nositel\u00e9 t\u00e9to schopnosti m\u011bli po\u0161kozenou pravou mozkovou hemisf\u00e9ru. (10)<\/p>\n<p><em>Odkazy<\/em><\/p>\n<p><em>(1) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Xenoglossy\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Xenoglossy<\/a> <\/em><br \/>\n<em>(2) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Carl_Wickland\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Carl_Wickland<\/a> <\/em><br \/>\n<em>(3) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jane_Roberts\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Jane_Roberts<\/a><\/em><br \/>\n<em>(4) <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Myst%C3%A8re_d%27Edwin_Drood\" target=\"_blank\" rel=\"noopener\">https:\/\/fr.wikipedia.org\/wiki\/Le_Myst%C3%A8re_d%27Edwin_Drood<\/a> <\/em><br \/>\n<em>(5) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Patience_Worth\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Patience_Worth<\/a><\/em><br \/>\n<em>(6) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Matthew_Manning\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Matthew_Manning<\/a> <\/em><br \/>\n<em>(7) <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Luiz_Antonio_Gasparetto\" target=\"_blank\" rel=\"noopener\">https:\/\/pt.wikipedia.org\/wiki\/Luiz_Antonio_Gasparetto<\/a> <\/em><br \/>\n<em>(8) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rosemary_Brown_%28spiritualist%29\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Rosemary_Brown_%28spiritualist%29<\/a> <\/em><br \/>\n<em>(9) <a href=\"https:\/\/fi.wikipedia.org\/wiki\/Aulikki_Plaami\" target=\"_blank\" rel=\"noopener\">https:\/\/fi.wikipedia.org\/wiki\/Aulikki_Plaami<\/a> <\/em><br \/>\n<em>(10) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Automatic_writing\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Automatic_writing<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Proslulost tzv. \u201eautomatick\u00e9ho psan\u00ed\u201c neboli psychografie za\u010dala na spiritistick\u00fdch seanc\u00edch v druh\u00e9 polovin\u011b 19. stolet\u00ed.<\/p>\n","protected":false},"author":1,"featured_media":487,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[50,39],"class_list":["post-881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-souvislosti","tag-mozek","tag-psychologie"],"_links":{"self":[{"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/posts\/881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/comments?post=881"}],"version-history":[{"count":1,"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/posts\/881\/revisions"}],"predecessor-version":[{"id":882,"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/posts\/881\/revisions\/882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/media\/487"}],"wp:attachment":[{"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/media?parent=881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/categories?post=881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cestypsychotroniky.cz\/index.php\/wp-json\/wp\/v2\/tags?post=881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}